Personal promotion

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By now, you may have caught up with my widely-tweeted article at the Hospital Club on the “failure” of tablet magazines, aka (by me at least) “maglets”. If not, it’s here.

I don’t have much to add to the topic right now, other than to say Adam of Exact Editions tries to cheer me up by refuting my points, and that the latest move today by Apple to add subscriptions isn’t quite what the industry has been waiting for. Oh Steve, you are a tease. The reader might not care about the finer points of this, but you can bet that the publishers do.

The headline problem is the legal obligation to offer the same subscription deal on iTunes as they do anywhere else.

Two issues with this requirement. Firstly, many mainstream magazines currently have hugely complex discounted subscription contracts with numerous sources, most of whose value is based on two things: being able to deliver the subscribers’ data to advertisers – either as demographics or mailing addresses, depending on which boxes were ticked; and on automatic renewals at a higher rate than hugely discounted “new subscriber” offers.

The thought of paying Apple 30% of all of that – almost certainly far higher than the other contracts are worth – without getting any of the subscriber data out of the deal, might make a few publishing execs turn a little pale. It also forces them to be up front about the discounting that goes on, and to simplify it hugely.

Secondly, who is to say that an iPad edition is identical to one on Android? Or one on a Windows 7 phone? What happens if Time offers a year’s subscription with every Motorola phone, or National Geographic wants to do a deal with Verizon to bribe new iPhone customers? How far does the “same deal” requirement stretch? How that will be policed is going to be tricky – and maybe end up in the courts.

Possible consequences?

• Some of the industry pulls out of the iPad (Time is doing this already. As a rule, though, I’d say it’s only likely if another big player enters the tablet market and undercuts Apple significantly on price without compromising quality. Could happen);

• The industry succeeds in getting Apple to backtrack on the deal (out of Steve’s cold, dead hands – unless the above scenario plays out soon);

• The price of magazine subscriptions in the USA is standardized, and goes up noticeably to overcome the transactional losses that come from forced standardization (would create a societal shift, and probably hasten the decline of mainstream print – though that might not be a bad thing, as it would increase the perceived value of some titles, at the expense of the headline circulation figures);

• The mainstream magazine industry bets the house on the iPad, and Steve gets what Steve wants (likely for a few publishers, but not most);

• The industry sticks to an HTML 5 app standard, allowing them to sell across multiple platforms, and accepts that they make less on the Apple devices than anywhere else (probably the way it’ll go for a while – until the next thing comes along);

• Magazine subscription houses start to fade away (and about time too).

UPDATE: Google responds, and responds hard. The industry may be battling Google on syndication and advertising, but it can’t argue with this.

It’s supposed to be sunny in London this weekend, and I’m going to be there, albeit very briefly.

So I thought that on Saturday, around 11am, I might take a jaunt to a few central-ish magazine shops – say, The ICA, Magma, M2, perhaps pop by Dover Street Market if it takes my fancy – before grabbing lunch in a pub to survey my paper-based ill-gottens.

A few people have suggested they might come along – so I thought I’d invite you too. Drop me a tweet or an email (andrew[AT]losowsky.com) if you fancy it.

Come on, it’ll be enormously geeky fun.

(Also let me know if you’ll be at The Story – which is where I’ll be all Friday)

It’s been a fascinating year for magazines.

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Geeky mag injoke ahoy with the new cover of Gym Class. I’m afraid I might well be to blame.

I’m also responsible for the cover story – the great Mr Lois agreed to a 30-minute interview, for which I scheduled an hour just in case. Two hours in, I’m late for my next meeting, and he’s only got as far as question four.

A few choice excerpts:

“[My school was] the greatest seat of learning since Alexander sat at the feet of Aristotle.”

“Harold called me up and he said, I never saw a cover like this in my life. I said, Yeah, that’s my job.”

“My covers promised a hot shit magazine. If you bought it, and you said, Dull, boring, dull, as you turned the pages, the cover would have been ludicrous.”

“If I had the backing today… I’d do a magazine that would knock you on the goddamn ass, and millions of people would [read] it.”

And just wait till you hear who played second base for Esquire‘s softball team the day that George came to play.

The man can talk, the poor shrinking violet that he is. I’ll post an audio excerpt or two up here soon, to whet appetites while we wait for Gym Class to come back from the printers. Fun.

A weighty tome landed through my mailbox this morning. Nearly killed the cat.

I’d give you a detailed, indepth review of its marvelousness, but I realize that this line on the cover might lead some of you, in your more unworthy moments, to suspect my motives:

Very well then, I’ll leave such tasks to those more “impartial”… suffice to say, it’s bloody heavy, filled with thoughtful moments, and rather good eye candy. Edited by Robert Klanten, Sven Ehmann, Kitty Bolhöfer, and Floyd Schulze (or as I call them, The Gathering), and designed by Schulze himself, Turning Pages: Editorial Design For Print Media (Gestalten) is filled with, well, you know.

I mean, what did you expect? Recipes? Pictures of pixies wielding common or garden vegetables? Recipes for pixie-vegetable casseroles?

The index is by designer, so you can cross-reference their work, and where it’s mentioned.

My contribution begins with a stirring intro about the state of modern print design. I like to imagine myself holding this book by a podium, delivering the intro Billy Graham-style to a quivering crowd of MPA believers. Which is probably why they never invite me to their conferences.

The following 97 pages feature texts by me on such topics as “The Grid”, and “The Structure”. With titles like that, the movie thriller adaptations can’t be far behind.

Then on page 98, I leave the book to the caption writers and the pictures, signing off with a salutary warning.

There’s plenty of things inside this book to inspire, featuring lots of designers and their work beyond just the usual suspects, including some remarkable student creations. Overall, it’s a snapshot of an editorial wave, and the bodacious designers surfing it.

Please, never quote that line back at me. The book deserves better than that. Take a look, and grab yerself a copy, why dontcha?

A few months ago, when a volcano erupted and I was stuck in Dublin, I said this:

This is an open call to designers, writers, photographers, illustrators, art directors and anyone else who is stranded by the ash cloud, and would like something to do.

If there’s one thing my ol’ ma taught me, it’s that when life gives you volcanoes, make magazines. And so we shall.

I’m nothing if not a man of my word, thus Stranded magazine is now on sale. The concept, commissioning and editing are all me; the design is all Matt McArthur, who was stranded in New York. We’ve yet to meet or even speak on the phone, but we worked together marvellously thanks to the wonders of modern gin communication.

As for the words and images.. they’re courtesy of more than fifty fantastically talented people I’ve never met, all of whom were similarly stuck and mercifully, I presume, as bored as I was in trying not to spend any money while stuck somewhere unexpected. They fulfilled commissions, they answered surveys, they ordered cocktails and they took photographs of their temporary beds. In a few cases, they caught their flights before they could complete their briefs – and I’ve included some of those too.

What we’ve made of it all is an 88-page souvenir of a moment in time when a non-life-threatening crisis hit the world, one for which nobody was to blame, and nobody knew how long it would last. People scrambled to find alternative routes home, any way, any how, or tried to make the best of wherever fate had placed them. It was a moment of unplanned disruption, never to be repeated in quite the same way.

The perfect subject for a magazine, in fact.

The print edition is on sale now, and ships worldwide. It costs $18.95+shipping – which is the base price charged by MagCloud (including a discount for being a charity mag and including their ad on the back page – much appreciated guys) plus $5 on top, all of which goes directly to the PayPal account of the International Rescue Committee, to help those more permanently stranded around the world. A digital edition is in the works, though it’s primarily been designed for paper and ink.

We’re inordinately proud of the whole thing, so why not pick up a copy or two? (Twenty or more gets a 25% discount, you know)

And please help us spread the word. We want to raise as much money as we can for the IRC – and hey, it’s a great magazine too. Everyone should own a copy, in case of eruptions.

Questions? Ask me here.

As my faithful Twitter followers already know, Stranded magazine, the only publication made entirely by people unable to take flights home due to the volcanic ash cloud of April, is a couple of short weeks away from being on sale. It’ll be available both digitally and in print, with all proceeds to the International Rescue Committee.

Sneak previews available here… and it’s looking lovely. Keep watching the skies, people.

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