Review

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There are a few, remarkable people who show us that there’s another way.

They take the tools from our hands, and do amazing things with them that we could never have contemplated. Where we see unbreakable rules, they see uninteresting choices. The results leave some people so affected that they never again look at their tools in the same way.

These people generally fall into three categories. First, there are those who were so far ahead of society’s ability to comprehend their efforts that their work is only “discovered” and lauded after their deaths. Kafka was one. Van Gogh another.

Second are those who break established rules again and again to increasing acclaim, yet always stay ahead of their imitators simply because they don’t know of any other way to behave. Picasso, let’s say. Radiohead, perhaps.

And then there are those people who have a single flash of genius at the very moment that society’s mirrors are perfectly aligned to catch its light. Though the rest of their work may be perfectly competent, everyone clamors for the lightening to strike again and again. It’s not these people’s fault that they can’t replicate that moment.

Given the title of this piece, you can probably see where I’m going with this one.

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So here we go: The Relaunch Issue, on newstands till March 14th. What’s it like? Multiple personalitied, that’s what.

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A Brit and a woman created and nurtured Newsweek. Now a British-born woman is moving it forward, pinning its hopes on a high-profile, print-digital merger. Can it survive – and is it any good?

I’m dividing this into two pieces, because I think that, in order to better judge and understand the magazine, it would be helpful first to understand something of the history and nature of American news weeklies, and their previous digital forays.

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Two weekly American news-related magazines relaunched in two days. Very different stories, however – and very different results.

First up, The New York Times Magazine.

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Though I am a subscriber, I can usually take or leave Wired US. Each year, there’s a few good articles and some interesting design choices, but overall it has an unnecessary love of celebrity, and each issue never really hangs together as a package. The front sections in particular are very uneven.

That’s not the case, however, with the latest issue: The Underworld Exposed.



It takes its regular features and subverts them in interesting thematic ways. The piece about “what’s inside a product you know” is about street heroin; their How To is “How To Ship Coke”; the Test page is about knockoff versions of famous products.


The main features are about the small Romanian town at the centre of European internet scams, the value of illegal human organ trafficking, and people who break lottery codes in order to launder money. The text never tries to moralize. It’s surprisingly bold stuff.

It often feels like an issue of mid-1990s Colors, with a bit of VICE thrown in. Which, in my book, is a very good thing.


I really enjoyed the design of this infographic spread about New York sex workers – nothing stereotypical, no fake neon or tittersome burlesque design. Just straightforward facts, letting the banality of reality speak for itself.

Still not sure about some of the design decisions – the layout of Ricky Jay’s superb collection of historical criminals is a little awkward, for example, and as so often happens with Wired, the cover feels like an overly researched missed opportunity – but overall, this is an unusually focused and engaging issue.

Definitely worth picking up or buying on your iPad.

You know the one. So what’s it like?

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POST claims to be “the world’s first independently published magazine exclusively for the iPad”. Presumably other than Sideways, Project, Letter to Jane, TRVL, and any others – feel free to mention yours in the comments.

Such silliness aside, it’s a high-end fashion magazine with its own interface that contains plenty of embedded video. It’s been created by some fairly big names in the independent fashion mag world, and has some original navigation ideas, some clever video integration and a number of bespoke ads.

But is it any good?

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