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So here’s something: I have a new job. And a new ebook out. The two might be connected.

The job: The image above might be a clue. Yes, from this coming Monday, I will be the Books Editor of The Huffington Post.

I’m excited. I’ve never worked full time for a major brand before. This one is, unusually in this climate, both ambitious and expanding. There’s some fascinating things that can be done in the area of online reporting and aggregation. I hope, nay expect, to be doing some of them. Give me a few weeks to get used to things, but watch this space.

The book: Somewhat fortuitously, this morning my new ebook, Reading in Four Dimensions, went live on Kindle (here’s the UK link) and Nook. People can read it via pretty much any device via the free Kindle and Nook apps.

The book – well, long essay really – looks at how the physical and digital worlds interact through the medium of storytelling. It’s an explanation of social reading, and why it’s going to change publishing. It’s a story about time travel. And it’s only 99c (or its equivalent in your territory.) There’s also a page of related links.

If you’d like to know more, below are a few Probably Asked Questions.

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Here we go again.

Some news I’ve not seen reported anywhere in English: a Spanish website called Youkioske.com (“Probably the best website for reading online”) was ordered by a judge in Alicante last week to remove certain publications made by Hearst and Conde Nast from its site, and to remove the metatags “Cosmopolitan” and “Vogue” from their code.

The site reminds me of the early days of Mygazines.

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By now, you may have caught up with my widely-tweeted article at the Hospital Club on the “failure” of tablet magazines, aka (by me at least) “maglets”. If not, it’s here.

I don’t have much to add to the topic right now, other than to say Adam of Exact Editions tries to cheer me up by refuting my points, and that the latest move today by Apple to add subscriptions isn’t quite what the industry has been waiting for. Oh Steve, you are a tease. The reader might not care about the finer points of this, but you can bet that the publishers do.

The headline problem is the legal obligation to offer the same subscription deal on iTunes as they do anywhere else.

Two issues with this requirement. Firstly, many mainstream magazines currently have hugely complex discounted subscription contracts with numerous sources, most of whose value is based on two things: being able to deliver the subscribers’ data to advertisers – either as demographics or mailing addresses, depending on which boxes were ticked; and on automatic renewals at a higher rate than hugely discounted “new subscriber” offers.

The thought of paying Apple 30% of all of that – almost certainly far higher than the other contracts are worth – without getting any of the subscriber data out of the deal, might make a few publishing execs turn a little pale. It also forces them to be up front about the discounting that goes on, and to simplify it hugely.

Secondly, who is to say that an iPad edition is identical to one on Android? Or one on a Windows 7 phone? What happens if Time offers a year’s subscription with every Motorola phone, or National Geographic wants to do a deal with Verizon to bribe new iPhone customers? How far does the “same deal” requirement stretch? How that will be policed is going to be tricky – and maybe end up in the courts.

Possible consequences?

• Some of the industry pulls out of the iPad (Time is doing this already. As a rule, though, I’d say it’s only likely if another big player enters the tablet market and undercuts Apple significantly on price without compromising quality. Could happen);

• The industry succeeds in getting Apple to backtrack on the deal (out of Steve’s cold, dead hands – unless the above scenario plays out soon);

• The price of magazine subscriptions in the USA is standardized, and goes up noticeably to overcome the transactional losses that come from forced standardization (would create a societal shift, and probably hasten the decline of mainstream print – though that might not be a bad thing, as it would increase the perceived value of some titles, at the expense of the headline circulation figures);

• The mainstream magazine industry bets the house on the iPad, and Steve gets what Steve wants (likely for a few publishers, but not most);

• The industry sticks to an HTML 5 app standard, allowing them to sell across multiple platforms, and accepts that they make less on the Apple devices than anywhere else (probably the way it’ll go for a while – until the next thing comes along);

• Magazine subscription houses start to fade away (and about time too).

UPDATE: Google responds, and responds hard. The industry may be battling Google on syndication and advertising, but it can’t argue with this.

Though I am a subscriber, I can usually take or leave Wired US. Each year, there’s a few good articles and some interesting design choices, but overall it has an unnecessary love of celebrity, and each issue never really hangs together as a package. The front sections in particular are very uneven.

That’s not the case, however, with the latest issue: The Underworld Exposed.



It takes its regular features and subverts them in interesting thematic ways. The piece about “what’s inside a product you know” is about street heroin; their How To is “How To Ship Coke”; the Test page is about knockoff versions of famous products.


The main features are about the small Romanian town at the centre of European internet scams, the value of illegal human organ trafficking, and people who break lottery codes in order to launder money. The text never tries to moralize. It’s surprisingly bold stuff.

It often feels like an issue of mid-1990s Colors, with a bit of VICE thrown in. Which, in my book, is a very good thing.


I really enjoyed the design of this infographic spread about New York sex workers – nothing stereotypical, no fake neon or tittersome burlesque design. Just straightforward facts, letting the banality of reality speak for itself.

Still not sure about some of the design decisions – the layout of Ricky Jay’s superb collection of historical criminals is a little awkward, for example, and as so often happens with Wired, the cover feels like an overly researched missed opportunity – but overall, this is an unusually focused and engaging issue.

Definitely worth picking up or buying on your iPad.

You know the one. So what’s it like?

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For Wired UK‘s latest edition on privacy, they’ve created a handful of custom covers featuring detailed information about selected subscribers (presumably those with high-profile jobs in the media).

The information seems to have been hand-compiled from digital sources – Benjamin Cohen, for example, seems surprised to see his parents’ new address written on the cover, as well as the fact that he had coffee recently with his ex-boyfriend.

The fact that this information is all out there isn’t so unexpected – what’s more shocking is to see it in this context, written up and printed on the ostensibly public-facing magazine cover, under a famous masthead, all prepared by a group of strangers.

It’s a great idea – though of course not the first time that digital printing has been used to create personalized covers to make this point.

Right-leaning liberarian mag Reason did something similar with satellite images of subscribers’ houses seven years ago, back in the days before Google Maps made such privacy boundaries seem laughable.

And, four years ago, a kind-of-similar thing was also done by the American flavour of Wired, though it seems to have been a far more upbeat affair, designed to discuss ideas of personalized mapping.

The technology isn’t anything special, but when applied intelligently, seeing yourself and your information in an unexpected context associated with public display can give its message a lot of power. Information certainly isn’t what it used to be.  

UPDATE: Courtesy of Ben at Wired UK, here’s the cover they sent to Andy Coulson (oo, topical), and here’s the not-so-creepy newsstand version.

The Stranger nails it again with a great cover
Clever reuse of the political graphic of the moment

Prisoners write letters to magazines
Great story on how the art of letter writing isn’t dead

Hearst tries to apply analytics to magazine distribution
Somewhat shocking it isn’t already an industry standard

The best glossy covers of 2010
One more list, this time against blatant Photoshoppery

How to copy and paste DRM’d publications
Can we now just allow copy and paste across the board?

iPad readers don’t read at the same times as other readers
Unsurprisingly for a $500 piece of kit, they seem to prefer doing it at home – which has implications for what they’ll buy

Online interiors magazines thriving
Some interesting titles there

Light-up cereal boxes from CES
Next step, an issue of Esquire probably

Magazines that warped young minds
These looked like fun

Top publishers prepare to launch their own app store
Much better than making their own tablet, which is what they said the might do

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