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You’ve probably read about it everywhere else, but there’s more pictures of the blacked-up model from this month’s French Vogue here and on the photographer Steven Klein’s own website here.

Does the fact that it’s a French magazine make it less offensive? Not really – can anyone at French Vogue really claim surprise that the internet would be interested in this? Let alone the magazine’s appearance on newsstands around the world. Or the fact that the same issue doesn’t have a single black model in its pages. Nah, it’s just another giggle to go along with the devil worship spread and the baby-throwing one.

The photographer is American, and so surely aware of the history of blackface’s iconography. The model, Lara Stone, is Dutch, where controversy over blackface is hardly unknown. Blackface may not have been as culturally prevalent in France, but it did make it to Paris in the 1920s (see particularly p86-7), showcased in touring American variety shows that were talked about in the press at the time. And today in France, crass, insensitive depictions of black people still seem to be pretty commonplace.

Apparently editor-in-chief Carine Roitfield styled this one herself. Good thing she never wanted the American Vogue job anyway.

Enough already. We’ve been here before, when Kate Moss blacked up for The Independent‘s “African women” issue, guest-edited by Giorgio Armani, which was wrongheaded in all kinds of other ways.

If you’re still interested, I’ve posted a few more thoughts about media responsibility over here. And on we go.


Capricious #8 is unbound
Each spread is kept loose, so it can go up on your wall. Reminds me of Rakete, the rather fine poster magazine produced by students in Düsseldorf

BBC to launch Lonely Planet magazine
Grauniad claims it will compete with Conde Nast Traveller and Sunday Times Travel. Surely it’s more likely to have Wanderlust and similar in its sights?

Esquire US produces handwritten cover lines
Now plagiarising itself

New luxury mag for iPhone
Not a first per se but having daily refreshed content in a bimonthly you buy on iTunes sounds intriguingly confusing. The price point sends mixed signals too

Is this the launch of the revamped Baron/O’Brien Interview?
The Kate Moss/Catwoman cover line suggests so. I wonder how those half-tones will come out in the printing? UPDATE: Yep, with increased distribution too

BAD IDEA opens up the Butcher’s Shop
Transparency and a lesson in good editing; mouseover for detailed comments. Part of their new Writer’s Lab

(Yet another) new contemporary arts magazine “takes flight”
I like the look of its selection, how it gives images space, and the playfulness of some of the giant typography. Will need good printing to make it all stand out. Not sure why, but it feels similar to the less-inspiring-but-also-Aussie Monument. Maybe it’s the architecture spread

Every copy has his thumbprint
Cute